Podcast Guest Booking Glossary and FAQ Hub
Plain definitions of the terms hosts, producers, and bookers use every week, followed by straight answers to the questions we hear most about booking and preparing guests.
- Audiogram
- A short video clip that pairs a segment of episode audio with a waveform, captions, and artwork so it can be shared on social platforms. Often sent to guests after publication to make promotion easy.
- Booking page
- A web page, usually generated by scheduling software, where a confirmed guest picks a recording slot from the host's real availability. It replaces the email exchange about dates and handles time zones automatically.
- Buffer time
- Padding placed before or after a recording slot so sessions do not run into each other and the host has time to review the prep brief. Also refers to the gap between recording and publishing that protects the feed from cancellations.
- Call to action
- The specific thing a host asks listeners to do at the end of an episode or in the show notes, such as subscribing, leaving a review, or visiting a guest's link. Guests usually get one call to action of their own.
- Cold outreach
- An invitation sent to a prospective guest with no prior relationship or introduction. Reply rates are lower than for warm introductions, so personalization and a clear angle matter more.
- Double-ender
- A remote recording method in which each participant's audio is captured locally on their own device and combined afterward, rather than recording the internet call itself. It produces cleaner audio when connections are unreliable.
- Evergreen episode
- An episode whose topic does not depend on current events, so it can be published at any time. Shows keep one or two in reserve to cover a cancellation or a break.
- Follow-up cadence
- The planned schedule of reminder messages sent to a prospective guest who has not replied. A typical cadence is one reminder after about a week and a second a couple of weeks later, each adding something new rather than repeating the ask.
- Guest experience
- The sum of every interaction a guest has with a show, from the first invitation through scheduling, recording, publication, and follow-up. A strong guest experience drives return visits and referrals.
- Guest intake form
- A short questionnaire completed by a guest at booking time to collect details the show will need, such as name pronunciation, title, bio, headshot, preferred topics, off-limits topics, and a promotional link.
- Guest pipeline
- The tracked list of prospective guests at every stage from candidate to published, including why each fits the audience, outreach history, and current status. It is the booking equivalent of a sales pipeline.
- Headshot
- A professional photo of the guest used in episode artwork, show notes, and social promotion. Collecting it at intake avoids a last-minute request before publication.
- Intro and outro
- The scripted or semi-scripted segments at the start and end of an episode that introduce the guest and the topic, then close with thanks and a call to action. Often recorded separately from the interview.
- Media kit
- A document or page that describes a show's audience, format, notable past guests, and reach, linked from outreach messages so the invitation itself can stay short.
- One-sheet
- A single-page summary a guest or their representative provides with a bio, headshot, suggested topics, and links. Useful as a starting point, though it is marketing material and not a substitute for independent research.
- Pitch
- The invitation message sent to a prospective guest, or, from the other direction, a proposal from a guest or publicist asking to appear on a show. Good pitches are short, specific, and lead with an angle.
- Pre-interview
- A brief conversation held before the recording to confirm the arc, check rapport, and surface stories worth exploring. Common on larger productions, optional on smaller shows where the intake form and dossier do the same work.
- Prep dossier
- A structured research brief on a guest, typically containing a summary, current projects, notable positions with sources, frequently told stories, sensitive areas, and a proposed arc for the conversation. It lets the host prepare quickly and ask questions the guest has not already answered elsewhere.
- Pull quote
- A short, striking excerpt from an episode selected for use in show notes, social posts, or the message sent to the guest after publication.
- Release form
- A written agreement in which a guest consents to being recorded and to the show publishing and distributing the recording. Some shows include it in the intake step; others use a simpler recorded verbal consent.
- Remote recording
- Recording an interview with the host and guest in different locations over an internet connection, now the default for most interview podcasts. Quality depends on each participant's microphone, headphones, and environment.
- Reschedule policy
- The show's stated approach to moving a confirmed recording, including how much notice is expected and how a new slot is offered. Treating a first reschedule as routine keeps the relationship warm.
- Run of show
- A timed outline of a recording session listing each segment, its planned duration, and any technical cues. On interview podcasts it is usually a light version of the arc from the prep dossier.
- Show notes
- The written companion to an episode, published alongside it, containing a summary, timestamped topics, links mentioned, a guest bio, and calls to action. They help listeners find resources and help new audiences discover the episode through search.
- Talking points
- The handful of themes a guest is prepared to discuss, often supplied by the guest or a publicist. Hosts use them as input, not as the question list, since they reflect what the guest wants to promote.
- Timestamps
- Time markers in show notes or chapter metadata that indicate where specific topics begin in an episode, letting listeners jump directly to the segment they want.
- Transcript
- The full written text of an episode, produced by automatic speech recognition, a human, or both. It is the fastest source for show notes, pull quotes, and timestamps.
- Warm introduction
- An invitation that reaches a prospective guest through a mutual contact or a past guest rather than cold. It is the most reliable way to raise reply rates and shorten the time to a yes.
Questions people ask
How do I find podcast guests when my show is still small?
Look for relevance before reach. Authors of recent niche books, people quoted in trade publications, speakers at smaller conferences, and practitioners who write thoughtfully online are all reachable and usually flattered to be asked about something specific. Ask every guest who else should be on the show, and keep a pipeline so a few declines never stall your schedule.
What should a podcast guest invitation email include?
Keep it to a phone screen: one sentence on the show and audience, one or two on why this guest and this angle, a line on format and length, and a single clear next step, usually a link to pick a time. Put the longer credentials in a linked media kit rather than in the message.
How many times should I follow up with a guest who has not replied?
Twice is usually enough. Send a first reminder after roughly a week and a second a couple of weeks later, each adding something new such as a date range or a fresh angle. If there is still no answer, note it in your pipeline and try again in a few months when their situation may have changed.
How long should a podcast interview be?
Long enough to get past the rehearsed material and short enough that the guest never checks the clock. Many interview shows land between thirty and sixty minutes of recorded conversation. The right length is the one you tell the guest in advance and then actually honor.
Should I do a pre-interview call before recording?
It helps on high-stakes episodes or with guests who are new to being interviewed, because it settles nerves and reveals the stories worth exploring. For most shows, a good intake form plus a structured prep dossier gets you most of the benefit without asking the guest for another meeting.
What goes into a good prep dossier?
A one-paragraph summary of the guest, what they are currently promoting, five to ten notable positions with sources, the stories they tell often, any sensitive areas, and a proposed arc for the conversation. Keep it to a few pages in the same format for every guest so the host can scan it right before recording.
How much research is enough before an interview?
A couple of focused hours is usually plenty. Cover the guest's recent output, how others describe their work including critics, and the phrases they use repeatedly. Once you know their core positions and the stories they lean on, additional reading produces diminishing returns and is better spent writing sharper questions.
Should I send guests my questions ahead of time?
Share the themes, the overall arc, and often the first question, but not the full list verbatim. That lets guests prepare without rehearsing, so the conversation sounds spoken rather than read. If a guest requires the exact questions, explain why you prefer themes and offer a compromise.
How do I handle a guest who keeps repeating their standard talking points?
Redirect toward the untold version. Ask what surprised them, what they got wrong, what they would do differently, or what happened right after the part of the story everyone knows. Short, specific questions about a moment or a decision are much harder to answer with a rehearsed script than broad ones.
What should I send a guest after the episode publishes?
One message with the episode link, a few pull quotes ready to share, any audiogram or graphic you produced, and a specific thank-you for something they said. Make sharing a one-click task. Then record the publish date and any referrals in your booking system and set a reminder to reconnect in six to twelve months.
How do I get guests to refer other guests?
Ask at the moment of highest goodwill, which is right after the recording ends, and again in the post-publication message. Make it easy by naming the kind of person you are looking for. Guests who had a good experience refer readily; guests who were kept waiting or under-prepared for rarely do.
Do I need a release form from every guest?
Practices vary. Many independent shows rely on the guest's clear written agreement to appear plus a recorded verbal confirmation at the start of the session. Larger productions and shows that syndicate or sell content commonly use a written release. If in doubt, a short release included in the intake step is easy and removes ambiguity.
How far ahead should I record compared with publishing?
At least a few weeks. That buffer absorbs a reschedule without creating a gap in the feed, gives you time to edit and write show notes properly, and lets you keep an evergreen episode in reserve. Shows built around current events run tighter by design and accept the extra risk.